Meanwhile, drawing a violet disc can cause enemy pieces to move and adds more violet cubes to the bag. Fighting involves drawing up to three cubes from the bag until you get a white one - if you don’t, you lose and miss your movement next turn. This is either to interact with a numbered board space or to fight an enemy. Each turn you draw a disc from the bag, move the corresponding character, and then take an action.
You then add some cubes in a mix of red and violet.
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The game comes with a cloth bag into which you throw coloured discs corresponding to the characters in play, plus red and violet for bad stuff. So if you visit the blacksmith’s wife in the village, say, you’ll find her number in the book, check the relevant paragraph for the scenario you’re on, read it out to the group, and then flip over her piece on the board. As well as progressing you through each scenario in the campaign, the book also has numbered sections that correspond to the numbers on the board pieces.
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There are a couple of hundred such doors, each with its own number, making the whole thing look all the more like an oversized Christmas novelty.Īt the bottom of the box is a lovely hardback book that takes you through the remainder of how to play after starting your first adventure with some introductory text to set the scene. They change frequently during play, giving the board state a real sense of dynamism as the people of Nottingham go about their daily business. Most have a different illustration on the back and some have a reward underneath. The sleeve is to ensure they all stay in place. Once you slide it out, you’ll see why: it’s covered in advent calendar-like doors that you can pop up, flip over, and fit back in. Speaking of which, the map itself comes in an unexpected sleeve. It’s a neat, intuitive and unusual way to progress across the map. You’re not allowed to move over walls, buildings or the depths of Sherwood, so you rotate the tailed pieces to manoeuvre around them. A standing piece marks the current position of the character, and to move, you lay as many of the others as you want end to end. Two are standing, while the other three have long straight tails of various lengths. This goes over the movement rules for the game which are quite novel.Įach character - there are four from the Robin Hood legends - comes with five wooden pieces. The “accompanying booklet” that outlines the rules actively exhorts you not to read it, but to refer to a single introductory sheet instead. Right from opening the box, it’s clear that The Adventures of Robin Hood is doing something a bit different from the average board game. He’s attempting to refashion Robin Hood in the same kind of image, as a narrative board game for families to enjoy with the group winning or losing together. It’s from designer Michael Menzel, the mind behind the cooperative family-friendly fantasy adventure Legends of Andor.
The Adventures of Robin Hood promises to be something a bit different. Who doesn’t love a bit of Robin Hood? The fresh air! The wealth redistribution! The young men in green tights! Certainly, the board game industry has been as much of a sucker for the charms of Sherwood Forest as the rest of us, with various titles of fair-to-middling quality having come and gone over the years. The Adventures of Robin Hood board game cover
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